The Quest for Cardenio: Shakespeare, Fletcher, Cervantes, and the Lost Play pay someone to do my assignments Rent from the world's largest e-book store and save it. Read notes on the Web, tablet and on the phone and highlight it and take notes Original works of Cardinho - Shakespeare and Fletcher 's late drama mentioned in several documents could not survive. It is thought that the story was reproduced in Don Quixote of Cervantes. In 1727, Luis Theobald made a script that he named "Double False Food". Say the name. Double Falshood rebuilds the story of Cardenio and contemporary scholarships generally agree that the Double Falshood contains fragments of Shakespeare's lost drama. In recent works by Shakespeare, Cardenio (currently lost) may be based on the role of Cardenio at Don Quixote of Miguel de Cervantes. Since Thomas Sheldon translated this amazing work into English in 1612, Shakespeare and John Fletcher were able to use it when working as a writer of Cardenio in 1613. Fletcher looked at Cervantes in the later play After reading Thomas Shelton and translating Don Quixote, there was no script Cardinho written by Shakespeare and John Fletcher. Therefore, I can not know the view of Shakespeare against Cervantes, but I can guess his pleasure. Cervantes is a failed playwright, probably never heard of Shakespeare, but there is doubt as to whether he would value Falstaff and Hamlet. But is Don Quixote fully convinced of the reality of his vision? Especially when he (and Sancho) was handed over to Cervantes for a practical joke of the sadist (actually a vicious humiliating atrocity), he apparently did not do. Nabokov was very useful in the "Don Quixote lecture" published in 1983: the two parts of Don Quixote are truly cruel encyclopedia. From this point of view, it is one of the most painful and savage books ever. to play. The last three plays of Shakespeare were written in collaboration with King's male playwright John Fletcher. Henry VIII (1613), relatives of two aristocrats (also can be written in 1613 or 1614) and now the drama that lost the cardeno. The first two are not the most popular combinations of wonder, romance, and tragedy elements. In addition to the printer of 1653, Humphrey Moseley participated in several plays including "The History of The Cardinho by Mr. Fletcher and Mr. Shakespeare", and in 1613 Heminges received two payments. Theater was once called "cardeno" and was called another "cardena". There are script versions that are supposed later, but few people know the original